What started out as a simple percussive beat became a two-track release, titled Woodchuck. Centered around organic woody hits and deep, rolling synth, the Original Mix is layered with a dubby soundscape. The Acid mix takes a different direction, with driving basslines taking things over. The latter also features a sample from a friend’s presentation at Adobe Max, recorded years ago. She seemed cool with me using it. Thanks, TK.
Pull the project from Blend:
Or, pick up the final version from Beatport:
Woodchuck (Acid mix) has been removed but it might reappear here in the future.
June 16, 2011 / admin / Comments Off on Brand New Alek Biotic Production: a double dose of Eezvor
After years of hibernation I finally managed to piece together just enough time to complete a brand new dance track titled Eezvor, coming your way in two mix variations.
While less percussive than some prior Alek Biotic works, Eezvor’s minimal techno influence is heard while its driving bass and synth lines provide enough energy for the prime time sets. The Dark Mix provides a more focused, flatter vibe while the Original Mix reveals the melodic, source riff.
Eezvor is my first completed production whose structure was created largely using Native Instruments’ Maschine. This amazing piece of kit combined with great, upgradable software is super fun to use and arrange on. Individual tracks were exported to Cubase (also a first as I’ve previously used Nuendo) where they were processed further and augmented with additional tracks, elements and effects. The final mix was mastered in WaveLab using Universal Audio, TC PowerCore and Waves plugins.
Already established in Malta, Surv is becoming a presence in the New York minimal techno scene with new residencies and tight dj sets. But I was happy to learn that he’s also actively producing new material. In this exclusive we present a fresh Surv production. Enjoy.
Here comes a minimalesque techno set mixed live using TraktorScratch. If you are not familiar with this software, it allows you to mix digital files (usually from a laptop) using turntables and special timecode vinyl records. One thing that (presently) separates TraktorScratch from other similar set-ups (such as Serato ScratchLive and the older FinalScratch) is that it supports real-time key changing allowing you to blend not only beats, but key signatures. This is actually one of the most appealing features to me when mixing since I like to have control over the key progression during a set.
Having done a few prior mixes using Ableton Live, this live set was literally a heat check of my deck chops. It is also the last mix recorded before moving storing the 1200s to make room for a new member of the family – my son, Dean – born exactly a week later this recording.
Mark Henning – Ring of Fire – Trapez
Gui Boratto – Matryoshka – Kompakt
Andomat 3000 & Jan – Entr’acte Music – Cadenza
James What – Mesatennis – Sounderground
Gaetano Parisio – Untitled A (Adagio C) – Adagio
Sian – Forming The Pearl – Octopus Digipack
Teflon – The Wombat – Rebel One
Samuel L Session – Smokestack (SLS Remix 1) – Klap Klap
Jerry Abstract – Mudtsmut – Shitkatapult
Surgeon – Klonk 2 – Dynamic Tension
Mark Broom – Twenty Nine (Black Mix) – BPitch Control
Patrick Skoog – The Distance – Drumcode
Samuel L Session – Velvet (Alex Bau Remix) – One Off
Gabriel Ananda – Trommelstunde – Karmarouge
Par Grindvik – Do Us Apart – Drumcode
Rino Cerrone – Rilis 06B2 (Gaetano Parisio Remix) – Rilis
Andreas Mugge – Grand Slam – Punkt Music
Shlomi Aber – Freakside – Ovum
Christian Smith & John Selway – Lightning Strike (Agaric Remix) – CSM
Alex Under – Untitled 2 (Multiplicanciones) – Apnea