In 2013, over a decade after the original was released, I finished the remix of Ghost.
The original was re-released on a Goa compilation at some point and is available on Spotify.
Category: Dance Tracks (page 1 of 6)
What started out as a simple percussive beat became a two-track release, titled Woodchuck. Centered around organic woody hits and deep, rolling synth, the Original Mix is layered with a dubby soundscape. The Acid mix takes a different direction, with driving basslines taking things over. The latter also features a sample from a friend’s presentation at Adobe Max, recorded years ago. She seemed cool with me using it. Thanks, TK.
Pull the project from Blend:
Or, pick up the final version from Beatport:
Woodchuck (Acid mix) has been removed but it might reappear here in the future.
I recently signed up for Spotify and couldn’t help ‘spotifying’ myself. A search for “Kill By Inches” revealed a few releases, including Down to 3hree released in 1999 with yours truly on guitars. I’m not exactly sure who gets paid for streaming that record – certainly not me or other band members – yet, I’m paying for the service.
A search for “Alek Biotic” returned most of the Gotham Grooves cuts, as well as the track Dirty Yellow which had appeared on compilation CDs after the original, vinyl release on Robert Natus’ Planet Natus label.
But the most interesting discovery was the 2009 re-release of Ghost (covered on Dopevector previously) which is my first ever release. Due to a typo, the artist name was “Alex Biotic” and appears that way on not one, but two 2009 re-releases of this track. The first is From Goa with Love 2, a compilation from the German Wax n Soul imprint. The second is Goa Universe – The Top 50 of Psychedelic Trance.
Weird shit.
I recently updated my studio setup and even found some time to produce some music. Producing on an iMac for the first time ever has been pretty sweet. After using Nuendo for years I’ve also made the switch to Ableton Live for composition and arranging. UAD-1 became a UAD-2, and I’m trying out some of the new Signature Series plugins from Waves. The first product of all this is Opek, a percussive techno track with a thick ambience and a cut-through main riff.
We’re ending off the year strong with a brand new exclusive mix that we just can’t get enough of. It gets going right off the bat and just doesn’t let up. DJ GaZeLL is back with a ferocious blend of dub step, tech step, jungle for a those of us desperate for a healthy dose of thick wobbles and snare rushes, just in time to prep you for your NYE party or drive you straight into the new year.
Be sure to check out DJ GaZeLL’s previous mix as well, already featured here.
Track Listing:
Envy – Normal (Skism remix)
Excision & Datsik – Boom (Skism remix)
Foreign Beggars – Get A Bit More (Skism remix)
Chasing Shadows – Amirah
Noisia – Machine Gun (16 Bit remix)
Proxy – Dancing In The Dark (Ollie & Bare Noize VIP)
The Prodigy – Omen (Noisia remix)
Plan B – She Said (16 Bit remix)
Foreign Beggars – Typhoon (Feat. Chasing Shadows)
Bandish Projekt – Brown Skin Beauty (Liquid Stranger remix)
Chasing Shadows – Ill
Laid Black – Red (Chasing Shadows remix)
Mussorgsky – Night On Bald Mountain
Noisia & Foreign Beggars – Contact (DnB remix)
Noisia – Shellshock (Feat. Foreign Beggars)
Reso – Otacon
Liquid Stranger – Alert
Phace & Misanthrop – Desert Orgy
Optiv – Run It Red (Feat. Ryme Tyme)
Gein – Ghetto Dope (Feat. Mayhem)
Enei – Movin Fast
Hamilton – Brainstorm
Serum – War Cry
Cyantific – Touch Me
Chase & Status – Time feat. Delilah (Wilkinson remix)
After years of hibernation I finally managed to piece together just enough time to complete a brand new dance track titled Eezvor, coming your way in two mix variations.
While less percussive than some prior Alek Biotic works, Eezvor’s minimal techno influence is heard while its driving bass and synth lines provide enough energy for the prime time sets. The Dark Mix provides a more focused, flatter vibe while the Original Mix reveals the melodic, source riff.
Eezvor is my first completed production whose structure was created largely using Native Instruments’ Maschine. This amazing piece of kit combined with great, upgradable software is super fun to use and arrange on. Individual tracks were exported to Cubase (also a first as I’ve previously used Nuendo) where they were processed further and augmented with additional tracks, elements and effects. The final mix was mastered in WaveLab using Universal Audio, TC PowerCore and Waves plugins.
Eezvor is currently shopped around and hope is to have the original wav files available asap. Guest remixes are also in the works. Stay tuned.
Already established in Malta, Surv is becoming a presence in the New York minimal techno scene with new residencies and tight dj sets. But I was happy to learn that he’s also actively producing new material. In this exclusive we present a fresh Surv production. Enjoy.
We’re back with another exclusive from Open Source. Like 
Nastee Stuff is a funky techno jam with a thick bass line, a quality it shares with a few previously covered tracks including Overtone. About 4 minutes into the track the bass riff is stripped down but the beat is augmented with lots of percussion. I’ve contemplated making that break more dominant in the track since it was more along the lines of material I would play when DJing, but ended up preserving the original format of the track.
While the track is over 6 years old, it was never aggressively shopped and therefore never released. So here it goes. Let me know if you want the original (.wav) version and I’ll get you a copy.
By the way, the title is a quote occasionally used by Walt “Clyde” Fraizer when calling Knicks games. If I remember correctly the last Knick to stuff nastily would have to be Latrell Spreewell, so he deserves partial title credit.
Released in 2002, Mantra appeared on one of the first Made On Earth compilations released by Bush Records. As Bush was one of my favorite labels at the time having the track picked up by Eric Powell (label owner) was a real treat. Alongside Mantra were productions by Sean Colt and DJ Kruze, another bonus.
Mantra itself is a raw, loopy track inspired by one of my favorite producers, DJ CZR. In fact, if I remember correctly, a part of the beat was sampled from a DJ CZR record.
As it turns out I can’t for the life of me find the original digital file of this track. Its either buried somewhere on some disc, or maybe exists on a DAT someplace. What I do have is a CD with it which has since become almost unplayable and is the reason you may hear some digital crackle on the MP3 link below. (And yes, I do have a few vinyl copies of the record, but the decks are not accessible at the moment and the busted CD was the best available option for this post.)
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