Tag: vestax vcm 600

Alek Biotic Delivers a Brand New Live Mix: Present Day

In case you haven’t noticed, for the first time that the Production and Posted On dates are the same. That can mean only one thing. A brand, spankin’ new release! That’s right. Read on and check it out.

Compiling, mixing and recording sets can be a long and exhaustive process. But as a live mix, I really thought that this one would be done quickly.

Wrong.

Endless last minute track substitutions and additions, re-takes, multiple mastering attempts (each separated by careful review of the entire 80 minute set on different speakers and headphones) all stood in the way of the final recording.  But all that is behind us now. I’m thrilled to have this set finally perfected and available to you. Get ready for: Present Day.

While it’s precedent, The Hook Up Service, was your summer pool party mash-up stacked with funky, up-beat grooves, Present Day is a focused and dark live set featuring the latest releases by techno artists spanning the globe; from places like Argentina, U.S.(Texas and Minnesota), Ireland, France, Germany, Slovenia, all the way to Japan.

Mixed live using the incredible Vestax VCM 600 controller and Ableton’s Live software, Present Day is a vintage Alek Biotic live set, updated to present day repertoire and technology.

So, turn up the volume, hit play and enjoy. Track list will be posted here soon. Comments are always welcome.

Download: Present Day (mp3)

Track List:
Minimorph – Marrakech
OTP, David K, Jerome Pacman – Out Of Phase
Makotrax – What a Fxxxing (Side B Katana Remix)
Phase – Subraum-Omen
Dollkraut – Cheveux Noir
Lemos – Jo The Monster (Agaric Remix)
Wolfgang Gartner – Latin Fever
Solead – Les Capitales
D. Diggler – Bipolar 3.0
Phil Kieran – Past The Present Future
Recilod – Softrum (D. Diggler Remix)
Cari Lekebusch – Spindizzy
Umek – Work This Data
A.Mochi – Black Out
Sasha Carassi & Gianluca Luisi – Homer (Dustin Zahn Remix)
Phil Kieran – Never Ending Mountain
Kalon – Haiku (Female Remix)
Pfirter – De a Poco
Secret Cinema – Jazz Me

Btw, if you like Present Day, be sure to also check out Stereohype which has a similar vibe.

Ableton Live: User Interface Proposal

ableton_logoI’ve been using Ableton Live for the past few years and have recently decided to switch to it as the centerpiece of my DJ setup (with the Vestax VCM-600 midi controller), leaving behind my decks, records, as well as the previously used Native Instruments’ Traktor Scratch setup. (I’ve used Serato’s Scratch Live as well but at the time opted for Traktor since it offered the key feature, which allows control over the track’s key independent of its pitch or tempo.  Btw, Ableton Live offers this as well.)

So what’s wrong with Ableton Live’s UI?

Not too much actually which made this post pretty easy and hopefully increases the likelihood of its influence.

The short story is this… There has always been an element of motion in DJing. It started out with mechanical devices and media actually spinning (decks, tapes) and this has been represented in most DJ software tools.  Specifically, there are two examples of moving indicators which provide essential information to the DJ:

1) Mix levels

2) Track progress

These visual cues are very important to a DJ since they (aside from the audio itself) are the only way to stay on top of the mix.  Furthermore, having visual indicators really helps not only with mixing, but also with getting into the mix.  As many MIDI controllers, including the Vestax VCM 600 do not represent the mix levels, I really started to miss those.  (To be fair, some of the other hardware controllers, such as Allen & Heath’s excellent 3D and 4D–which combine an audio interface, mixer and midi controller–do have this feature, but I am pretty happy with my audio interface and prefer the layout and portability of the Vestax surface.)

So the problems are waveform and level indicators.  Well, the bigger part of the problem, anyway.  I realized that this is not really the controller’s fault.  Ableton Live’s interface IS the visual indicator for everything, and with the entire display at its disposal its got plenty of space to work with.  So why does it look like a spreadsheet or at best, a calendar? True, the layout of the session view is great for live playing and real-time composing but its really not ideal for DJ sets.  There are way too many tiny boxes and there’s barely anything moving.

To be clear, my proposals for enhancing  Ableton’s interface for DJ use (ordered by priority) are:

1. Addition of waveforms for the currently playing track, per channel. This would replace the existing progress-bar style indicator which is tiny and doesn’t show the audio structure of the currently playing clip.  Even vinyl records (which had no waveform) did a better job of this since the grooves themselves indicate (upcoming) changes. Btw, I realize that this becomes more complex when multiple clips are playing simultaneously on the same channel, but this prevents independent control over each channel which is why its often avoided in DJ sets.

2. Wider level indicators. Ableton’s interface is very intuitive and slick, but I can’t think of a single reason not to expand the width of the level indicators. (They are currently only 5 pixels wide.)  I like to make my channels wider and would expect the indicator to expand with it, but they stay ultra narrow.  Why?

3. Better highlight for the currently selected scene. This visual indicator becomes less visible as more content is added to the session, which is the opposite of its utility as its most useful when there are many clips in the session and far less when there are only a few. I often catch myself having to investigate where it is.  It should be obvious.

4. Better highlight for the currently selected clip. Here again, quickly locating the currently highlighted clip is difficult.

5. Utilizing empty space. This might be a reach, but when I feel too lazy to hook up my controller or just want to listen to some tracks using Ableton, I often find myself having to switch between the Clip and Track views.  Why not have an option to combine them?  There’s a always a huge blank space next to the effects on the track view (since I only have the EQ and Filter on each channel.)  It would be nice to have the option of displaying the Track settings and waveform next to it.

And that’s it.

Let’s review what the interface currently looks like.  Click on the image for the full-size version (this whole thing is sort of pointless otherwise).

And here’s what I’m proposing.  Click this one to open it in a new tab and then you can toggle between them to see the difference.

So how about it?  Anybody from Ableton reading this?  No? Santa?

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